Teaching students to decorate household items with tavrian painting in hobby clubs
DOI:
https://doi.org/10.32405/2308-8885-2024-3(113)-29-33Keywords:
Tavrian painting, elements of Tavrian painting, hobby clubs, household items, institutions of general secondary education, institutions of out-of-school education, studentsAbstract
The article reveals the features of Tavrian decorative painting as a hallmark of southern Ukraine, highlighting the symbols, colours, and meanings characteristic of this art form. Historical information is provided regarding the discovery, research, and popularization of this painting style at the national and international levels.
The author recommends teaching Tavrian painting techniques to students in general secondary and out-of-school education and guiding students aged 10-15 in decorating wooden jewellery boxes using this method.
The conclusions emphasize the importance of engaging students with this painting tradition by familiarizing them with decorative and applied artworks by renowned Ukrainian masters and creating items decorated with Tavrian designs. This is crucial for helping students appreciate the values of their region and Ukraine, with its unique decorative and applied arts centers, and for fostering national identity. The author also provides recommendations on introducing students to the art of Tavrian painting, explaining its unique characteristics, teaching them to distinguish it from other styles, and involving them in creating their own works using elements of Tavrian painting.
References
Topchii, O. V. (Ed.), Bondarenko, Ye. P. (2010). Stezhky do Lymanu: novely [Paths to Liman: Short stories]. Vol. 2. Mykolaiv: VART.
Bondarenko, Ye. P. (2004). Stepovi skarby. Deiaki aspekty narodnoho obrazotvorchoho mystetstva Pivdnia Ukrainy [Steppe treasures. Some aspects of the folk art of Southern Ukraine]. Narodne Mystetstvo, 1–2, 48−49.
Diachenko, A. V., & Saviuk, Yu. D. (2023). Natsionalna identychnist u suchasnomu obrazotvorchomu mystetstvi [National identity in modern fine art]. Kultura i mystetstvo: suchasnyi naukovyi vymir: VII Conference Proceedings (Kyiv, November 2, 2023). Kyiv: NAKKKiM. Retrieved from https://nakkkim.edu.ua/images/Instytuty/Akademiia/Vydannia/konferentsii/Tezy_02_11_2023_2.pdf
Ivashko, O. (2021). Povernennia Tavriiskoho rozpysu [Return of the Tavrian painting]. Holos Ukrainy. Retrieved from http://www.golos.com.ua/article/344486
Ivashko, O. (2020). Tavriiskyi rozpys: povernennia iz zabuttia [Tavrian painting: Return from oblivion]. Uriadovyi Kurier, 193, 5-9.
Paraniuk, L., & Bozhkova, H. (2021). Tavriiskyi rozpys [Tavrian painting]. Mykolaiv.
Stepaniuk, N. (2022). Ornamentalna kompozytsiia v tavriiskomu rozpysi [Ornamental composition in the Taurian painting]. Veresen. Naukovo-metodychnyi informatsiino-osvitnii zhurnal, 4(95), 168-181. https://doi.org/10.54662/veresen.4.2022.14
Stepaniuk, N. K. (2020). Tavriiski vizerunky [Tavrian patterns]. Mystetstvo ta Osvita [Art and Education], 1(95), 40-45. Retrieved from https://doi.org/10.32405/2308-8885-2020-1-40-45
Mykolaiv Regional Center of Folk Art. (2019). Tavriiskyi rozpys: dyvo Prychornomoria. Retrieved from https://ocnt.com.ua/tavrijskij-rozpis-divo-prichornomorya/
Paraniuk, L., & Sikalenko, R. (Eds.). (2022). Tavriiskyi rozpys [Tavrian painting]. Mykolaiv: TOV Typohrafiia 24.
Chernyshova, O. (2024, March 12). Tavriiskyi rozpys: vizytivka ta skarb Mykolaivshchyny [Tavrian painting: Business card and treasure of the Mykolaiv region]. Pivdenna pravda. Retrieved from http://www.up.mk.ua/uk/articles/129865







