Studying the Lullabies from Around the World

Authors

  • T.O. Abramian Teacher of Secondary School № 10, Toretsk, Ukraine

Keywords:

lullabies from around the world, lullabies of Africa, pupils, music lessons

Abstract

The article is devoted to the question that students can be taught with lullabies from different world countries at art lessons. According to O. Marchun the functions of lullaby are the stimulation of child’s falling asleep, ordering, perception, communicative, removing the mother’s emotional stress. The author highlights their importance in children’s physical, mental and personal development. The article reveals the peculiarities of images, texts and melodies and their specifics.

The lullabies from around world should be implemented into different stages of art lessons in accordance with the subjects of curriculum. Therefore, different methods can be used: perception of lullabies in audio recording or in the teacher’s performance, discussion of the content of works, their musical images, expressive means, texts, learning and performing lullaby songs; listening to several works and comparing similar or contrasting images, melodies, characters; adaptation lullabies for the stage, inventions of rhythmic or instrumental accompaniment and movements, etc.).

The author gives methodical recommendations for using and studying by schoolchildren the lullabies from around the world based on E. Skvortsova’s creative project “Lullabies from Around the World”. The author offers list of topics to implement lullabies from the project. Some stages of lessons in 4-5 grades with the description of perception, analysis, performance of lullabies of different peoples have been described. 

References

Golovin, V.V. (1990). Kolybelnaia pesnia i priemy ubaiukyvanyia [Lullaby song and techniques of lullabies]. In Deti i narodnaia kultura (pp.14-16). Novosibirsk.

Ivanytskyi, A. I. (1990). Ukrainska narodna muzychna tvorchist [Ukrainian folk musical works]. Kyiv: Muz. Ukraina.

Koropnichenko, A. (1997). K voprosu o zhanrovoi atributsii kolybelnykh napevov [On the question of genre attribution of lullabies]. In Traditsionnoe iskusstvo i chelovek [Traditional art and human]. Conference Proceedings (pp. 34-39). St. Petersburg: Belyi gorod.

Martynova, A.N. (1996). Osobennosti kompozitsii vostochnoslavianskikh kolybelnykh pesen [Features of composition of East Slavic lullaby songs]. In Mir detstva i traditsionnaia kultura: Vol. 2. Moscow: Gosudarstvennyi tsentr russkogo folklore.

Marchun, O. V. (2005). Poetyka ukrainskoi kolyskovoi pisni: motyvy, funktsii, obrazy [Poetics of the Ukrainian lullaby: Motives, functions, images] (Dissertation Abstract, Kyiv).

Melnikov, M. N. (1987). Russkyi detskyi folklore [Russian children’s folklore]. Moscow: Prosveshchenie.

Cherevchenko, V. V. (2015). Verbalni znaky etnokultury v ukrainskomu dytiachomu folklori [Verbal signs of ethno-culture in Ukrainian children’s folklore]. (Dissertation Abstract, Kyiv).

Published

2018-03-12

How to Cite

Abramian, T. (2018). Studying the Lullabies from Around the World. Art and Education, (1 (87), 14–19. Retrieved from https://artedu.com.ua/index.php/adm/article/view/184